Because it always gets butchered by some drunken hack at karaoke who thinks they're there to try out for Idol. That would be my guess.Side note on ROA: when "Don't Stop Believing" started up, 'diva said (paraphrased, but close enough): Oh no. Please. Why do that to this song?
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Also we all watched "Rock Of Ages" again this morning. It's really an awesome movie in the cheesiest way possible.
Side note on ROA: when "Don't Stop Believing" started up, 'diva said (paraphrased, but close enough): Oh no. Please. Why do that to this song?
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ROA was a good concert but as a movie it was terrible. The plot was bad with a few exceptions. And of course I had to go off an analyze all the plot problems because they were driving me crazy.
-"Don't Stop Believing" was written as part of the plot, which happens in 1987. Could they at least got close on the release date? 1981 is a pretty far off.
-Knowing that made me think about the other songs, and many came out both before and after that time.
-The main character's name was Sherrie but they never did the song "Oh Sherrie"? *** is up with that? I was expecting it the entire movie.
-I couldn't watch the scene with Russel Brand and the REO Speedwagon song because that song is from my wedding. I hate that guy and didn't want him to taint the song forever and ruin my wedding memories. Yikes!
That considered, I compare this movie to Blues Brothers 2000. The plot was pretty lame so not a great movie, but there was great music and some cool performances that made it worth while.
Hans Zimmer gave an interview to CNN, and I'll paraphrase some here, he said that he tossed out the entire score written for the '81 version by John Williams. It was something that very much scared him because the sound is just so engrained in the Superman mythos now that he couldn't imagine writing something else for it. Eventually he did, though. There are no wood winds to be found in the score for this version of Superman, a story deeply rooted in hope.Please be good, please be good, please be good.
<iframe width="560" height="315" src="http://www.youtube.com/embed/T6DJcgm3wNY" frameborder="0" allowfullscreen></iframe>
Please be good, please be good, please be good.
The score will be two hours of the BWOMMMM! from Inception.Hans Zimmer gave an interview to CNN, and I'll paraphrase some here, he said that he tossed out the entire score written for the '81 version by John Williams. It was something that very much scared him because the sound is just so engrained in the Superman mythos now that he couldn't imagine writing something else for it. Eventually he did, though. There are no wood winds to be found in the score for this version of Superman, a story deeply rooted in hope.
<iframe width="560" height="315" src="http://www.youtube.com/embed/T6DJcgm3wNY" frameborder="0" allowfullscreen></iframe>
Please be good, please be good, please be good.
I watched The Master last night. I was disappointed in this movie. I was expecting something great, and I only got OK. The acting was excellent, but the story just didn't do it for me.