Slap Shot
I got nothing
I received “Who’s Next” on vinyl for Xmas and love it. But, for novices like me, where would you suggest I start with their catalog to begin a deep dive?
Who's Next
Quadraphenia
Live At Leeds
I received “Who’s Next” on vinyl for Xmas and love it. But, for novices like me, where would you suggest I start with their catalog to begin a deep dive?
I received “Who’s Next” on vinyl for Xmas and love it. But, for novices like me, where would you suggest I start with their catalog to begin a deep dive?
Who's Next
Quadraphenia
Live At Leeds
Probably everyone would say Who's Next.
I never went as deep into the Who as Kep, and to me, I like them well enough, but don't consider myself a diehard fan. Pre-Tommy stuff I'm not that familiar with, and anything after Moon died is probably not necessary. Probably can't go wrong with anything between Tommy and Who Are You. Everyone raves about Tommy as being the definitive 'rock opera' but I always preferred Quadrophenia.
After that would be Townshend's Empty Glass, and maybe Chinese Eyes. The latter is pretentious and arty, but if you have a high enough tolerance for that sort of thing, it's a wonderful record. To me, it's a masterpiece.
To begin:
See the movie The Kids Are Alright
Who's Next
Tommy
Quadrophenia
Then see the movie of Quadrophenia, which is the best genre rock and roll movie ever made. Hard Day's Night and Woodstock can suck it.
For depth:
Who Are You
Live at Leeds
Meaty, Beaty, Big and Bouncy
Then see the movie of Tommy but be warned, this is not good. It's strictly for canon.
After that it gets dicey. There are a few wonderful tracks on Who By Numbers (Blue, Red and Grey, Squeeze Box, Slip Kid) and Odds and Sods (I'm the Face, Long Live Rock), and a lot of misses.
Beginning with Face Dances, Townshend's enormous ego swallowed the band and they became tiresome and unlistenable. (c.f. Genesis, Collins; Pink Floyd, Waters)
Extra Credit: see the BBC production of A Comedy of Errors with Daltrey as Dromio. I think he's hilarious (my theatre brethren do not agree).
The Who were amazing because every one of the four contributed a different, non-overlapping value. Townshend had the musical skill and imagination, Daltrey had the front man power and the cutting sincerity, Entwistle was witty and the personification of cool bass, Moon was clinically insane and hysterically funny. Like a lot of bands (Stones, Beatles, Zep) they excreted great music from the struggle of two titanic and violent egos and for as long as they maintained that tension we got amazing art punctuated by sex and anger. I love this band.
I only saw them in 1981 after they had jumped the shark and were already pretty tired, but my god I wish I had seen them around the time of Live at Leeds. Kids: that was what "rock and roll" was.
The only later song I’d mention is Eminence Front.
The only later song I’d mention is Eminence Front.
Guh. De gustibus non est disputandum, but man I hate that song. It's Burning Down the House. Catchy but guh.
![]()
Not sure if serious.
On stage. Live concert.
My memories of it are from Grand Theft Auto: San Andreas so what do I know...That was after Pete Townshend become a corporate whore, so bleh.
"All The Pain Money Can Buy" from Fastball. Good album to drive to.